“Berlin,” a new series of narrative images by this popular Dutch photographer, imagines a city not just haunted by its past but condemned to relive it. …its air of Weimar sleaze gives it a dark, nasty undercurrent. (Otto Dix, Christian Schad, and George Grosz are key sources.)” The New Yorker .
Francis Hodgson, Photography critic, Financial Times, comments in his essay exploring ‘Berlin’: ‘You could see Berlin as an opera. There are the grand elements from history, which are like the bits of legend or myth or biblical story that make up the plots of operas.’
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